Feirstein Class of 2018

Screen Studies

 

A Trans With a Movie Camera: A Cine-Essay

—Frances Arpaia

 

I Must Confess: Curt McDowell and the Essay-Film   

—Dominic Clarke

 

Outraging Ourselves to Death Political Discourse in the Online Era

—Max Frazier

 

Neo-Lumière Cinemas: Atavism, Modernity, and Hauntology

—Eliecer Gutierrez-Gaspar

 

Reel Revolutionaries:  The Cultural Phenomena of African American Cinema in the 1990s

—Kayinde Harris

 

Through the Lens of Chineseness: Diasporic Identity in The Wedding Banquet (Ang Lee, 1993) and Happy Together (Wong Kar-wai, 1997)

—Austin Jung

 

Tape and the Animated Loop: Narrative and Aesthetic Recursion in 20th Century Japanese Video

—Dave Park

 

“Please Don’t Sue Us; We Don’t Have Any Money!”: Spider-Man Fan Films and Their Worth to the Marvel Cinematic Universe

—Dan Smith

 

The Roots of Surrealism in the Works of David Lynch

—Viktoriia Vanina